Progression.
Wood Sculpture
330 x 180 x 280 cm.
2011.

In some neighborhoods of Medellín, and more particularly in “Comuna 13”, the terrain reaches inclines of up to 60 degrees. This means that the houses and access to them have particular characteristics. In general, the terrain has to be conquered, and the constructive schemes reflect an intimate relationship between the topographical conditions and the materials used.

The architectural element of the staircase poses an equation that articulates verticality and horizontality in space. It is partly a response to and a reflection of the physical conditions of the terrain. Its slope, given by the relationship between the tread and the riser, and ultimately its design, are based on the body and its ability to face obstacles, whether topographical or architectural.

The work Progression makes a comparative analysis of the inclination and materiality of staircases belonging to different socioeconomic levels. Through the use of boards made of different materials placed in pairs in the space reflect the conditions of the terrain reflected and also allude to a social pyramid with marked contrasts in its architectural spaces.  At the external limits of the piece we find wood boards thoroughly sanded and polished. The first pair is only 8 cm high, a step that would require minimal effort to take. As the pairs of boards increase in step number and reach greater heights, their material becomes more ordinary; they gradually abandon their fine and delicate treatment giving way to a direct materiality devoid of refinement. The pair of boards in the center of the piece have 11 steps and reach a height of 330 cm.

Progression also presents a metaphor for social advancement. It is a projection of a progress ideal that depends and relies primarily on the physical capacity of the body and its effort.